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Through flashbacks, Full English Breakfast follows the violent career of Dave Bishop (Dave Courtney) a small-time London villain who kills his way to the top of Britain's drugs empire. Now happily 'retired' on the Kent coast Dave becomes embroiled in a bloody battle of wits with Al Qaeda terrorists who want to take over his criminal empire. Adding to the old mobster's woes is his younger trophy wife (Lucy Drive) wanting to play away with his new driver (Jamie Bannerman).

There is nothing worse than mediocrity with a strong work ethic.

In one of the American States committed a major Bank robbery, which killed two guards. Jim Conley, a Bank employee, is charged with the murder. With irrefutable evidence, attorney General Ted Talbot is seeking a death sentence for Conley. A day later, one of the witnesses confesses to the murder, a little later they find his corpse. Bolbat's career comes to an end. His friend and assistant, Leo Harman, knowing that Talbot cleverly framed, begins a full investigation into unthinkable intrigue.

22 years ago, Savva got in touch with criminals and was charged with murder. After being released, he decides to give up his criminal past and start a quiet life with his beloved. But someone is clearly against this development of events: Savva is being dragged into a showdown, blackmailed and deprived of hope for a bright future. Blinded by revenge, he decides to investigate his own past and find those who ruined his life. What Savva doesn't know is that the truth will turn out to be much more complicated than he expected.

格雷森·佩里（Grayson Perry）走遍英格兰，试图揭示如今“英格兰性”的含义。谁才是英格兰人呢？

A juror on a murder trial begins to believe that the man charged with the crime is innocent — and that the real killer is her own husband.

Sun-woo is fired from his advertising job in Japan after it is revealed that his parents were Korean. His girlfriend, Hideko, also leaves him, more for his sudden lack of money than out of racism. Sun-woo decides to attempt a bank robbery in order to win her back

Suchart, a man whose wife and child were murdered in their apartment. Suchart, the suspected perpetrator of the crimes, is determined to prove his innocence and find the culprit of the crime.

Amina Handke adapts the 1967 theatre play Kaspar written by her father Peter Handke. Instead of a young man being tortured by language, we meet an old woman played by the director’s mother, Libgart Schwarz, who loses her linguistic abilities while rehearsing for the very same play. What begins as a pure and playful family meta-fiction turns into a surreal, partly nonsensical Babylonian confusion, it’s just that it’s not different languages that are clashing but layers and fragments of the German language, the language of the father. The film avoids the traps of representational cinema. It’s all noises and muttering, injunctions and an almost Dadaist pleasure in repeating sentences until they completely lose their meaning.